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Rim hyo_ comfort and plentiful such

we only can produce


Written by Lee, Jae Un / Art Critic


In the chaos of identity battle in recent days, ¡®we-like¡¯ art comfort us somehow. No matter how our environment and life style was changed, the field of unconscious where our group sharing common destiny sits on may not changed that easily at all. On the contrary, we may hold on to our identity more than ever as our environment and life style changed rapidly. Of course, ¡®we-like art¡¯ can't be clear in its substantiality matter. We often witness when we approach it as some sort if ideology, the contents of it disappear as ash and something weared content or skin left. Of course, the twisted look could be our self-portrait, but it won't be comfortable any more like you are wearing others big cloths. Indeed, among those lots of experiences, comfort we can feel is the most valuable features we should seek for. We often feel this comfort when we face Mr. Rim hyo's art works. His materials, images on screen, touch, colour, and all these features come to us with comfort and richness. As you can see, this comfort, peace, and ¡®what we like¡¯ can be acquired by the art works themselves. However, it should be based on artists' belief and attitude as well. Nowadays, it is very difficult to fine such enthusiastic artist like Rim hyo. All the energy and passion displayed in his art works time to time with sensitively or homely, luxuriously and even open-heartedly. It is also true that there is no one can show such various touch in his or hers art. From the style with magnificent scale with non stop stroke black and white painting to colourful stroke with detailed illustration, and from powerful colour to simple colour screen we can even smell the scent of soil.

He possesses the most various coloring and features as well. As you can notice from his various forms of art works, we can imagine how fiercely and seriously he lives through his life as well. This variation of works could be glittering achievement by itself, but it also can correct the ignorance we often heard from people saying that korean painting¡®s subject and showings are very limited. In fact, he achieves his art thru various forms we can't imagine, and even still returns to the range of korean paintings because not only his nationality is korean but also he can't deny the fact that his emotion and sense came form the korean group sharing its common destiny together. Again, it is not just the reason that because we are korean and no matter what we think, we think like korean and act like korean. On the contrary, his art verify that the product of what we like most.
If we anatomy the spirit and thoughts of his art world, we can summarize them into following three, nature, myth, human. These three elements have some functional relation with digital system which is the core element of new social paradigm geared with ¡®speed¡¯, ¡®accuracy¡¯, and ¡®efficiency¡¯.

However, his art recognition may stand against the value induced by such digital system. Of course, we don't have to be opposite site of the benefits brought by digitalization. Because he is the artist, h can' t just accept the bad functions or paradox without any resistance. On the other hand, he suggest the way he open the possibility to live together with not just resist against it. It is his motor I can say.

It is impossible to fine an artist who didn't believe the naturalism. Indeed, his life itself and his artworks as well follows naturalism and become even part of nature itself. Thus, the naturalism we can find in the general landscape painting is far from what we can see in his art. He created forms of ¡®soaking landscape¡¯ and ¡® landscape¡¯ based on the thoughts the painting can make itself to be nature. Soaking paper into the colored water to create soaking landscape and ding paper partially to fill half is based on same reason. In the recent consecutive works of him, ¡®living together¡¯ is the conclusion of deep exploration of nature and naturism painting. In his art works, forms are flexible and can be chosen freely.

Myth can lie on the boarder line of human and nature. This is the reason that we often look up the myth to find nature and characteristics of human from them. To the artist, myth can't be neglected. Indeed, symbolic figures in myth are still often used by artist in not only old ages but also present time. The human nature beneath it is appeared appropriately in screen of his arts not the favor or interest. Not only the contents stories of myth but the characteristics of it is applied into the art as well.

Symbolic and timeless, intuitive features of myth are used to rearrange the orders of subjects on screen. separation from general space, approaching of timely awareness, the dualism of freedom and moderation are what we talked about. The artist insist the main subject is nature and human is one of belongings of nature. His such humanism are appeared not only in his canvas but also in the process as well. Indeed, the man made is the main element of humanism. As we can see, he used korean paper for more than 10 years. We saw many artists tried to use it for many reason, but soon give up because it takes too time too much and very difficult to handle as well. Thus it was not welcomed by artists. However, he endured all the obstacle and difficulties with open mind. Why?

I believe that he only saw it as result not just time consuming process. In other word, man made work is also the possible substance of art, and the essential element to guarantee its neutrality. The interaction between human body and substances is the process of creation and also the joy as well. Initiating the voluntary work of paper handling possessing such interaction means that you are very close to finish the art work. Specially, when you handle mulberry paper with making dream landscape by soaking it into water, you can get partially died. This partial died part is also essential part of the art work, and it completes its artistic value. you often witness this fact in the recent consecutive art work, 'living together'; however, it doesn't mean that just doing by hands has such meaning.

The papers handling with more than 10 years has more meaning. There could be other materials he tried to use, but the mulberry paer he finally met gives him such dynamic and various effects on his works. Indeed, it gives him various chances of imagination as well.

However, he tries various forms techniques throughout various materials not even on paper but also on vessels, but still keep common features within. This can't be explained by human word, but I believe that it is the colour of Rim hyo which comfort us like our hometown with its simple and homely features.

In the beginning of this article, I stated, again, the art world he pursue may atand against the digital paradigm we are facing lately. Well, indeed, it complement the value we may miss. Analog value such as ¡®slow¡¯ ¡®hand¡¯ ¡®mind¡¯ are used in his canvas to decorate. Not just for achieving a certain ideology but he just draw world he saw and feel as what he useto do as an artist. At this very moment, some theory, opinion, and forms are born and didapper as well. But if you are not confused by it, and keep going what you has enjoyed and pursued, and can realize the sorrow of our age and touch it softly, you can swallow the delightful joy as an artist. Indeed, the desire of Rim hyo who pursue the comfort to show thru his arts is also desperately needed by others as well. This is the time what we most need is comfort, I believe.

Artist Rim hyo was born at Jeoungeub Korea in 1955. He graduated from Hongik university with BA in arts and promoted into the graduated school with same major and successfully finished it as well. Until year 2004, he held 14 times of exhibitions; in 1985, national hyundai art center's¡¸young artist preview¡¹, in 1998 ¡¸seoul art festival's beauty of residence¡¹, in germany and hungary with¡¸light of orient I¡¹and in russia¡¸light of orient II¡¹and more. He actively opened his exhibition in country and out of country as well. Moreover, in July 2005, he also opened his art work exhibition to celebrate his 30 years in art at the sejong art hall. He received donga art award, sun award as well. His pen name is Hosan (pond mountain).